Lyrics by George Freedman
Do you love George Freedman's songs? Here you'll find the lyrics to George Freedman's songs so you can sing them at the top of your lungs, make your own versions, or simply understand them properly.
We have compiled all the lyrics of George Freedman's songs we could find so that those who, like you, are looking for songs by George Freedman, find them all in one place.
Do you see the song you like in this list of George Freedman's songs?
- Adivinhão
- Beijinho Doce
- Coisinha Estupida
- Correio Sentimental
- Good Luck Charm
- Jambalaya
- Multiplication
- Quando Me Enamoro
- Town Without Pity
- Uma Duzia de Rosas
George Freedman (6 March 1936 – 21 July 2016) was an Australian interior designer/architect, popular from 1970 until a younger generation became prominent in Sydney during the 1990s. Born in New York, where he studied architecture at Syracuse University, Freedman arrived in Sydney in 1968 and later designed many prestigious interiors, often including custom-made furniture. His notable interior schemes included executive suites for the Bank of New South Wales (1970) and the State Bank of New South Wales (1985), cultural institutions including the Powerhouse Museum, businesses, government premises, restaurants, residences and historic monuments, including a refurbishment of the Queen Victoria Building (2009). In 2005, Freedman was described by the Sydney Morning Herald as 'the Godfather of Interior Design'. He was recognised by design and architecture industry experts for his daring and widely emulated combinations of colours, inventive uses of materials, attention to detail, and commitment to high-quality furnishings (often imported signature classics). He was respected also for his sophisticated understandings of optical perception and volumetric manipulations of interior space. For this reason he was highlighted by design writers as practising more like an architect than his colleagues who were educated as interior decorators and designers. Although he never finalised his American degree studies to register as an architect, Freedman worked repeatedly with Sydney's leading architects of the late-twentieth century—including Glenn Murcutt, Peter Stronach, Richard Johnson and Ken Woolley. He also trained some of Sydney's outstanding younger architects and designers—including Iain Halliday, Sam Marshall, Stephen Varady, William MacMahon, Arthur Collin, Robert Puflett, Tim Allison and his late-career partner, Ralph Rembel. In 2005 the Royal Australian Institute of Architects (NSW Chapter) awarded Freedman Rembel an Interior Architecture commendation for its design of executive offices at the AMP Building overlooking Circular Quay. The Design Institute of Australia (DIA) Hall of Fame is an enduring record of the pioneers, ambassadors and contributors to the Australian design industry. It showcases Australia's design visionaries, leaders and unsung heroes and celebrates their significant contribution to Australia's economic development and cultural identity. Signifying his outstanding body of work and contribution to the Australian design industry, Freedman along with Marsh were inducted into the 2019 DIA Hall of Fame, posthumous. Freedman's 1970s and 1980s furniture designs, often finished with luxury European veneers and eye-catching flourishes, were often promoted in Australia's most stylish design magazines, especially Belle and Interior Design. His cocktail trolley for Bilson's restaurant (1988) is in the collection of Sydney's Museum of Applied Arts and Sciences. Over the next decades, Freedman alongside his partners worked to inject a new exuberance into the standard pattern of modern interiors. Unafraid to play with new materials and striking palettes, he designed a myriad of homes, restaurants, and offices in Sydney, known for a sense of sophistication and modernity.
You might not be a big fan of George Freedman, maybe you're here for just one song by George Freedman that you like, but take a look at the rest, they might surprise you.
The lyrics of George Freedman's songs often follow certain patterns that you can discover if you pay close attention. Are you up for finding out what they are?
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