Lyrics by Fernando Sor

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• Alphabetical Order

1. Andante
2. Allegretto Solo
3. Andantino Op60
4. Encouragement Cantabile Op34
5. Estudio
6. Moderato Dalla I Alla Vi Posizione
7. Nr1 Six Valses
8. Opera 35 N 24
9. Sonate In C Op15b
10. Tarantella
11. Variations From The Magic Flute
12. Waltz
13. Allegro In C
14. Estudio 1
15. Estudio 17
16. Estudio 5
17. Estudio 6
18. Minueto
19. Moderato In A Minor
20. Moderato In C
21. Opus 35
22. Study In C
23. Study In G
24. Tempo Di Minuetto
25. Three Easy Pieces
26. Rondino
27. March Of The Wooden Soldier
28. Variação do Tema da Flauta Mágica de Mozart
29. Op 35 n°1
30. Estudo 1
31. Opus 6 No 8 In C Major
32. Opus 35 No 22 In B Minor
33. Opus 35 No 9 In A Major
34. Opus 31 No 5 In G Major
35. Opus 35 No 17 In D Major
36. Opus 31 No 4 In B Minor
37. Opus 60 No 1 In C Major
38. Minuet In G From Thema Varie Op 3
39. Opus 6 No 1 In D Major
40. Opus 6 No 2 In A Major
41. Opus 35 No 24 In E Minor
42. Opus 6 No 11 In E Minor
43. Lesson In C
44. Allegretto
45. E Minor At Midnight
46. Easter Hymn
47. Opus 35 No 1 In C Major
48. Opus 44 No 3 Waltz Of The Robins
49. Opus 31 No 6 In E Minor
50. Opus 2 No 1

Fernando Sor (baptised 14 February 1778 – 10 July 1839) was a Spanish classical guitarist and composer of the late Classical era and early Romantic era. Best known for writing solo classical guitar music, he also composed an opera (at the age of 19), three symphonies, guitar duos, piano music, songs, a Mass, and at least two successful ballets: Cinderella, which received over one hundred performances, and Hercule et Omphale. Partly because Sor was himself such a classical guitar virtuoso—contemporaries considered him to be the best in the world—he made a point of writing didactic music for players of that instrument of all levels. His Twelve Studies Op. 6, the Twelve Studies Op. 29, the (24) Progressive Lessons Op. 31, and the (24) Very Easy Exercises Op. 35 have been widely played for two hundred years and are regularly reprinted. On the other hand, some of Sor's music, not least his popular Introduction and Variations on Mozart's "Das klinget so herrlich" Op. 9, is fiendishly difficult. Unlike modern classical guitar players, Sor used the smaller, slimmer "Romantic" guitars predating today's familiar Torres instrument. He used the ring finger of his plucking hand "rarely" and "only for harmony (never for melody)." He eschewed the use of nails on that hand.

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