Lyrics by Enrique Morente

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  1. Balada de Los Dos Abuelos
  2. Estrella
  3. A La Hora de La Muerte
  4. Pequeño Vals Vienes
  5. Aunque Es de Noche
  6. Bamberas
  7. Manhattan (First We Take Manhattan)
  8. Mi Pena
  9. Que Te Quise Con Locura
  10. Ramito de Azahar
  11. Soleá de La Ciencia
  12. Tienes La Cara
  13. Yo Seré Como La Mimbre
  14. En Tiempos
  15. En Un Sueño Viniste
  16. Era Una Madrugá
  17. La Malanga (Guajira)
  18. Pago Con La Vida
  19. Que Me Van Aniquilando
  20. Sembré Una Esperanza
  21. Suspiros de Fuego
  22. Tangos de La Plaza
  23. Tu Vienes Vendiendo Flores
  24. Y Conmigo No Ha ''podio''
  25. A Que Tanto Me Consientes
  26. Aleriaas de Enrique
  27. Con La Raiz Del Querer
  28. Contando Los Eslabones
  29. De Tu Querer Apartarme
  30. Decadencia
  31. Dios Te Va a Mandar Un Castigo
  32. El Carro de Mi Fortuna
  33. El Jardín de Venus (Malagueña En Tono de Granaína)
  34. Eso No Lo Manda La Ley
  35. Esquilones de Plata
  36. Ignoran Mis Ojos Tu Presencia
  37. La Aurora de Nueva York
  38. La Lengua Que de Mi Murmura
  39. Lloré Más Que Jeremías
  40. Lo Más Difícil Del Mundo
  41. Los Saeteros
  42. Nanas de La Cebolla
  43. Ni Quien Se Acuerde de Mí
  44. No Lo Pasen Por Mi Puerta
  45. Noche y Día
  46. Pedro El Morato
  47. Rosa Si No Te Cogí
  48. Sentado Sobre Los Muertos
  49. Solamente Con Mirarte
  50. Vidalita de Marchena
  51. Voz Del Pueblo
  52. Yo He Visto a Un Niño Llorar

Enrique Morente Cotelo (25 December 1942 – 13 December 2010), known as Enrique Morente, was a Spanish flamenco singer and a celebrated figure within the world of contemporary flamenco. After his orthodox beginnings, he plunged into experimentalism, writing new melodies for cante (flamenco singing) and jamming with musicians of all styles, without renouncing his roots in traditional flamenco singing, which he kept on cultivating despite criticism. "It hasn't been easy. First came the accusations of corruption of the music, of treachery in his struggle to disfigure what was already perfectly coded. When some albums and some categorical evidence of his knowledge of the classical approach laid these malicious comments bare, then came the most twisted condemnations. That the pace of the compás waned (just get a metronome and see for yourself), that he didn't really make you feel (are there really many true aficionados whose hair doesn't stand on end listening to his caña 'Eso no lo manda la ley', 'La aurora de Nueva York' or 'Generalife', to name three markedly different examples) and that kind of thing." he was perhaps the most influential contemporary flamenco singer, who not only innovated, but it could also be said that he created tradition: some of his cantes have been performed by other singers such as Camarón de la Isla, Mayte Martín, Carmen Linares, Miguel Poveda, Segundo Falcón and Arcángel. He also is the father of flamenco singer Estrella Morente. The posthumously published volume of Leonard Cohen's poems, The Flame, includes "Homage to Morente." (pp. 30–31)

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