Lyrics by Bauhaus

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• Most Popular
• Alphabetical Order

1. All We Ever Wanted Was Everything
2. She's In Parties
3. Bela Lugosi's Dead
4. Crowds
5. Dark Entries
6. The Three Shadows (Part II)
7. Andy Warhol
8. Bite My Hip
9. Double Dare
10. In the Flat Field
11. King Volcano
12. Slice Of Life
13. Smalltalk Stinks'
14. The Passion Of Lovers
15. 1. David Jay 2. Peter Murphy 3. Kevin Haskins 4. Daniel Ash
16. A God in an Alcove
17. A poem
18. A Spy in the Cab
19. Adrenalin
20. Antonin Artaud
21. Black Stone Heart
22. Boys
23. Burning From The Inside
24. Cry Little Sister
25. Cuts You Up
26. Dancing
27. Departure
28. Dive
29. Drink The New Wine
30. Ear Wax
31. Endless Summer of the Damned
32. Exquisite Corpse
33. God In An Alcove
34. Hair Of The Dog
35. Harry
36. Hollow Hills
37. Honeymoon Croon
38. Hope
39. In Fear of Fear
40. In Heaven
41. In The Night
42. International Bulletproof Talent
43. Kick In The Eye
44. Kick In the Eye (Canadian CD Releases)
45. Kick In the Eye 2
46. Kingdom's Coming
47. Lagartija Nick
48. Marlene Dietrich's Favourite Poem
49. Mask
50. Mirror Remains
51. Muscle in Plastic
52. My Kind Of Town
53. Nerves
54. Night Time
55. Of Lillies And Remains
56. Paranoia Paranoia
57. Party Of The First Part
58. Poison Pen
59. Rosegarden Funeral of Sores
60. Sanity Assassin
61. Saved
62. Scopes
63. Severance
64. Silent Hedges
65. Small Talk Stinks
66. Some Faces
67. Spirit
68. Spirit (single version)
69. Spirit In The Sky
70. Spy In The Cab
71. St. Vitus Dance
72. Stigmata Martyr
73. Swing the Heartache
74. Telegram Sam
75. Terror Couple Kill Colonel
76. The Dog's A Vapour
77. The Lady In The Radiator Song
78. The Man With The X-ray Eyes
79. The Passenger
80. The Sanity Assassin
81. The Three Shadows (Part I)
82. The Three Shadows (Part III)
83. Third Uncle
84. Too Much 21st Century
85. Undone
86. Untitled
87. Waiting For The Man
88. Wasp
89. Watch That Grandad Go
90. Who Killed Mr. Moonlight?
91. Ziggy Stardust
92. Ziggy Stardust (david bowie)
93. Zikir

The Staatliches Bauhaus (German: [ˈʃtaːtlɪçəs ˈbaʊˌhaʊs] ), commonly known as the Bauhaus (German for 'building house'), was a German art school operational from 1919 to 1933 that combined crafts and the fine arts. The school became famous for its approach to design, which attempted to unify individual artistic vision with the principles of mass production and emphasis on function. The Bauhaus was founded by architect Walter Gropius in Weimar. It was grounded in the idea of creating a Gesamtkunstwerk ("comprehensive artwork") in which all the arts would eventually be brought together. The Bauhaus style later became one of the most influential currents in modern design, modernist architecture, and architectural education. The Bauhaus movement had a profound influence on subsequent developments in art, architecture, graphic design, interior design, industrial design, and typography. Staff at the Bauhaus included prominent artists such as Paul Klee, Wassily Kandinsky, Gunta Stölzl, and László Moholy-Nagy at various points. The school existed in three German cities—Weimar, from 1919 to 1925; Dessau, from 1925 to 1932; and Berlin, from 1932 to 1933—under three different architect-directors: Walter Gropius from 1919 to 1928; Hannes Meyer from 1928 to 1930; and Ludwig Mies van der Rohe from 1930 until 1933, when the school was closed by its own leadership under pressure from the Nazi regime, having been painted as a centre of communist intellectualism. Internationally, former key figures of Bauhaus were successful in the United States and became known as the avant-garde for the International Style. The White city of Tel Aviv to which numerous Jewish Bauhaus architects emigrated, has the highest concentration of the Bauhaus' international architecture in the world. The changes of venue and leadership resulted in a constant shifting of focus, technique, instructors, and politics. For example, the pottery shop was discontinued when the school moved from Weimar to Dessau, even though it had been an important revenue source; when Mies van der Rohe took over the school in 1930, he transformed it into a private school and would not allow any supporters of Hannes Meyer to attend it.

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