Lyrics by Amon Düül II
- Cappucino
- 5.5.55
- Ain't Today Tomorrow's Yesterday
- All the Years' Round
- Apocalyptic Bore
- Archangels Thunderbird
- Archy the Robot
- CID in Uruk
- Dem Guten, Schönen, Wahren
- Deutsch Nepal
- Dreams
- Emigrant Song
- Fly United
- Green-Bubble-Raincoated Man
- Hallucination Guillotine
- Hawknose Harlequin
- I Can't Wait (part 1)
- Jalousie
- Kronwinkl 12
- Liquid Whisper
- Lonely Woman
- Loosey Girls
- Ludwig
- Mirror
- Mozambique
- Mr Kraut's Jinx
- Pigman
- Riding On A Cloud
- Sleepwalker's Timeless Bridge
- Soap-Shop-Rock
- Surrounded By The Stars
- Syntelman's March of the Roaring Seventies - a) In the Glass-garden
- Syntelman's March of the Roaring Seventies - b) Pull Down Your Mask
- Syntelman's March of the Roaring Seventies - d) Telephonecomplex
- Tables Are Turned
- The Wolfman Jack Show
- Trap
- Traveller
- Wilhelm, Wilhelm
- Wolf City
- You're Not Alone
Amon Düül II (or Amon Düül 2, Pronunciation: Amon Düül) are a German rock band formed in 1968. The group is generally considered to be one of the pioneers of the West German krautrock scene. Their 1970 album Yeti was described by British magazine The Wire as "one of the cornerstones of ... the entire Krautrock movement". Amon Düül II emerged from the radical West German Amon Düül art commune in Munich. The band's first album, Phallus Dei, was released in 1969. Amon Düül II received offers to write music for films and won a German film award, the Deutscher Filmpreis, for their contribution to the 1970 film San Domingo.
You might not be a big fan of Amon Düül II, maybe you're here for just one song by Amon Düül II that you like, but take a look at the rest, they might surprise you.
We recommend that you check out all the lyrics of Amon Düül II's songs, you might fall in love with some you didn't know yet.
The lyrics of Amon Düül II's songs often follow certain patterns that you can discover if you pay close attention. Are you up for finding out what they are?
To discover the patterns in Amon Düül II's songs, you just have to read their lyrics carefully, paying attention not just to what they say, but how they are constructed.
