Lyrics by Vangelis

  1. Conquest Of Paradise
  2. Jerusalem
  3. Ask The Mountains
  4. I Can't Take It Anymore
  5. Losing Sleep (still My Heart)
  6. Movement 5
  7. Tears In Rain
  8. I'll Find My Way Home
  9. One More Kiss Dear
  10. 12 O' Clock
  11. A Song
  12. Albedo 0.39
  13. Alpha
  14. And When The Night Comes
  15. Anthem
  16. Beside
  17. Blade Runner - Main Theme
  18. Blush Response
  19. Celtic Trance
  20. Charios Of Fire
  21. Come On
  22. Come To Me
  23. Curious Eletric
  24. Dawn/Morning Papers
  25. Deborah
  26. Deliverance
  27. Fields Of Gold
  28. Freefall
  29. Good To See You
  30. He - O
  31. He Is Sailing
  32. Horizon
  33. Hymne
  34. I Hear You Now
  35. Intergalactic Radio Station
  36. Italian Song
  37. Ithaca
  38. Let It Happen
  39. Main Sequence
  40. Main Titles (From Blade Runner)
  41. March With Me
  42. Mare Tranquillitatis
  43. Mayflower
  44. Monastery Of La Rabida
  45. Moviment 1
  46. Multitrack Suggestion
  47. My Face In The Rain
  48. Not a Bit - All Of It
  49. Nucleogenesis (Part One)
  50. Nucleogenesis (Part Two)
  51. Page Of Life
  52. Polonaise
  53. Procession
  54. Pulstar
  55. Red Lights
  56. Ritual
  57. See You Later
  58. So Long Ago So Clear
  59. State Of Independence
  60. Suffocation
  61. Sunny Earth
  62. Sword of Orion
  63. Tales Of The Future
  64. The City
  65. The Little Fete
  66. Twilight
  67. Wait For Me
  68. We Were All Uprooted

Evangelos Odysseas Papathanassiou (Greek: Ευάγγελος Οδυσσέας Παπαθανασίου, pronounced [eˈvaɲɟelos oðiˈseas papaθanaˈsi.u]; 29 March 1943 – 17 May 2022), known professionally as Vangelis ( vang-GHEL-iss; Greek: Βαγγέλης, pronounced [vaɲˈɟelis]), was a Greek keyboardist, composer, and producer of electronic, progressive, ambient, and classical orchestral music. He composed the Academy Award-winning score to Chariots of Fire (1981), as well as for the films Blade Runner (1982), Missing (1982), Antarctica (1983), The Bounty (1984), 1492: Conquest of Paradise (1992), and Alexander (2004), and the 1980 PBS documentary series Cosmos: A Personal Voyage by Carl Sagan. Born in Agria and raised in Athens, Vangelis began his career in the 1960s as a member of the rock bands The Forminx and Aphrodite's Child; the latter's album 666 (1972) is now recognised as a progressive-psychedelic rock classic. Vangelis first settled in Paris, and gained initial recognition for his scores to the Frédéric Rossif animal documentaries L'Apocalypse des Animaux, La Fête sauvage, and Opéra sauvage. He also released his first solo albums during this time, and performed as a solo artist. In 1975, Vangelis relocated to London where he built his home recording facility named Nemo Studios and released a series of successful and influential albums for RCA Records, including: Heaven and Hell (1975), Albedo 0.39 (1976), Spiral (1977), and China (1979). From 1979 to 1986, Vangelis performed in a duo with Yes vocalist Jon Anderson, releasing several albums as Jon and Vangelis. He also collaborated with Irene Papas on two albums of Greek traditional and religious songs. Vangelis reached his commercial peak in the 1980s and 1990s. His score for Chariots of Fire (1981) won him an Academy Award for Best Original Score and the film's main theme, "Chariots of Fire – Titles" went to number one on the U.S. Billboard Hot 100 chart, while his score for 1492: Conquest of Paradise (1992) was nominated for a Golden Globe Award for Best Original Score and the film's soundtrack and main theme topped the European charts selling millions of copies. His compilation albums Themes (1989), Portraits (So Long Ago, So Clear) (1996), and studio album Voices (1995) also sold well at the time. Vangelis composed the official anthem of the 2002 FIFA World Cup held in Korea and Japan. In his last twenty years, Vangelis collaborated with NASA and ESA on music projects Mythodea (1993), Rosetta (2016), and Juno to Jupiter (2021), his 23rd and final studio album. Having had a career in music spanning over 50 years and having composed and performed more than 50 albums, Vangelis is one of the most important figures in the history of electronic music, and modern film music. He used many electronic instruments in a fashion of a "one-man quasi-classical orchestra" composing and performing on the first take.

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