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Lyrics by Revolutionary Girl Utena

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  1. Toki ni ai wa
  2. Virtual Star Hasseigaku
  3. Arigatou Ai wo
  4. Baacharu Sutaa Hasseigaku
  5. Bara no Hanayome
  6. Butoukai no Yuri ni
  7. Chikyuu wa Jinbutsu Chinretsu Shitsu
  8. DONADONA
  9. Duelist
  10. Ensuikei Zettairan Algebra - Episódio 18
  11. Fiancé ni Naritai
  12. Fujingenkon Gattaijutsu
  13. Fuuin Jubaku
  14. Gentou Chouga Juuroku-seiki
  15. Gersten no Kubi
  16. Guui Guuwa Guu-est
  17. Hana No Nai Bara
  18. Heizoku Uchuu ni Fumetsu no Koutei
  19. Kagee Shoujo
  20. Kakuu Kakokei Majinai
  21. Konnichi wa, Akachan
  22. Last Evolution - Shinka Kakumei Zenya - Episódio 10
  23. Mamotte Hoshii
  24. Missing Link
  25. Nanbito mo Kataru Koto Nashi
  26. Nikutai No Naka No Koseidai
  27. Ohtori Gakuen Kouka
  28. Onnanoko no Kisetsu
  29. Oujisama ga Ii
  30. Rinbu Revolution
  31. Sakasama Boku to Boku no Heya
  32. Sekai Wo Kakumei Suru Tame Ni
  33. Shura - Nikutai Seiza Alpha Psi Zeta Seiun -
  34. Spira Mirabilis Gekijou
  35. Tainai Tokei Toshi Orrery
  36. Tennen Douhou Kyuuden Enkinhou no Sho
  37. Tenshi Androgynous
  38. Tenshi Souzou Sunawachi Hikari
  39. Truth
  40. Tsuyoku Kedakaku
  41. Watashi Banbutsu Hyakufushigi
  42. Watashi Kuusou Seimeitai
  43. When Where Who Wich
  44. Yomigaere! Mukyuu no Rekishi "Chuusei" yo
  45. Zettai Unmei Mokoshiroku

Revolutionary Girl Utena (Japanese: 少女革命ウテナ, Hepburn: Shōjo Kakumei Utena) is a Japanese anime television series created by Be-Papas, a production group formed by director Kunihiko Ikuhara and composed of himself, Chiho Saito, Shinya Hasegawa, Yōji Enokido and Yūichirō Oguro. The series was produced by J.C.Staff and originally aired on TV Tokyo from April to December 1997. Revolutionary Girl Utena follows Utena Tenjou, a teenaged girl who is drawn into a sword dueling tournament to win the hand of Anthy Himemiya, a mysterious girl known as the "Rose Bride" who possesses the "power to revolutionize the world". Ikuhara was a director on the television anime adaptation of Sailor Moon at Toei Animation in the 1990s; after growing frustrated by the lack of creative control in directing an adapted work, he departed the company in 1996 to create an original series. While he initially conceived of Utena as a mainstream shōjo (girls' anime and manga) series aimed at capitalizing on the commercial success of Sailor Moon, the direction of the series shifted dramatically during production towards an avant-garde and surrealist tone. The series has been described as a deconstruction and subversion of fairy tales and the magical girl genre of shōjo manga, making heavy use of allegory and symbolism to comment on themes of gender, sexuality, and coming-of-age. Its visual and narrative style is characterized by a sense of theatrical presentation and staging, drawing inspiration from the all-female Japanese theater troupe the Takarazuka Revue, as well as the experimental theater of Shūji Terayama, whose frequent collaborator J. A. Seazer created the songs featured in the series. Revolutionary Girl Utena has been the subject of both domestic and international critical acclaim, and has received many accolades. It has been praised for its treatment of LGBT themes and subject material, and has influenced subsequent animated works. A manga adaptation of Utena written and illustrated by Saito was developed contemporaneously with the anime series, and was serialized in the manga magazine Ciao beginning in 1996. In 1999, Be-Papas produced the film Adolescence of Utena as a follow-up to the television anime series. The series has had several iterations of physical release, including a remaster overseen by Ikuhara in 2008. In North America, Utena was initially distributed by Central Park Media starting in 1998; the license for the series has been held by Crunchyroll since its 2023 acquisition of Right Stuf and its subsidiary Nozomi Entertainment, which acquired the license for Utena in 2010.

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