Lyrics by Miriam Makeba

Find here the lyrics to your favorite songs by Miriam Makeba.

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  1. Erev Shel Shoshanim
  2. Pata Pata
  3. A Luta Continua
  4. If We Ever (feat. David Guetta)
  5. Malaika (My Angel)
  6. The Click Song (Qongqothwane)
  7. Africa Is Where My Heart Lies
  8. Can't Cross Over (River Come Down)
  9. Chove Chuva
  10. Down On The Corner
  11. House Of The Rising Sun
  12. Mas Que Nada
  13. Nkosi Sikelele Africa
  14. One More Dance
  15. Sabelani
  16. Suliram
  17. Sunrise, Sunset
  18. The Naughty Little Flea
  19. To Those We Love (Nongqongqo)

Zenzile Miriam Makeba (4 March 1932 – 9 November 2008), nicknamed Mama Africa, was a South African singer, songwriter, actress, and civil rights activist. Associated with musical genres including Afropop, jazz, and world music, she was an advocate against apartheid and white-minority government in South Africa. Born in Johannesburg to Swazi and Xhosa parents, Makeba was forced to find employment as a child after the death of her father. She had a brief and allegedly abusive first marriage at the age of 17, gave birth to her only child in 1950, and survived breast cancer. Her vocal talent had been recognized when she was a child, and she began singing professionally in the 1950s, with the Cuban Brothers, the Manhattan Brothers, and an all-woman group, the Skylarks, performing a mixture of jazz, traditional African melodies, and Western popular music. In 1959, Makeba had a brief role in the anti-apartheid film Come Back, Africa, which brought her international attention, and led to her performing in Venice, London, and New York City. In London, she met the American singer Harry Belafonte, who became a mentor and colleague. She moved to New York City, where she became immediately popular, and recorded her first solo album in 1960. Her attempt to return to South Africa that year for her mother's funeral was prevented by the country's government. Makeba's career flourished in the United States, and she released several albums and songs, her most popular being "Pata Pata" (1967). Along with Belafonte, she received a Grammy Award for Best Folk Recording for their 1965 album An Evening with Belafonte/Makeba. She testified against the South African government at the United Nations and became involved in the civil rights movement. She married Stokely Carmichael, a leader of the Black Panther Party, in 1968, and consequently lost support among white Americans. Her visa was revoked by the US government when she was traveling abroad, forcing her and Carmichael to relocate to Guinea. She continued to perform, mostly in African countries, including at several independence celebrations. She began to write and perform music more explicitly critical of apartheid; the 1977 song "Soweto Blues", written by her former husband Hugh Masekela, was about the Soweto uprising. After apartheid was dismantled in 1990, Makeba returned to South Africa. She continued recording and performing, including a 1991 album with Nina Simone and Dizzy Gillespie, and appeared in the 1992 film Sarafina!. She was named an FAO Goodwill Ambassador in 1999, and campaigned for humanitarian causes. She died of a heart attack during a 2008 concert in Italy. Makeba was among the first African musicians to receive worldwide recognition. She brought African music to a Western audience, and popularized the world music and Afropop genres. Despite her cosmopolitan background, she was frequently viewed by Western audiences as an embodiment of Africa: she was also seen as a style icon in both South Africa and the West. Makeba made popular several songs critical of apartheid, and became a symbol of opposition to the system, particularly after her right to return was revoked. Upon her death, former South African President Nelson Mandela said that "her music inspired a powerful sense of hope in all of us."

The lyrics of Miriam Makeba's songs often follow certain patterns that you can discover if you pay close attention. Are you up for finding out what they are?

To discover the patterns in Miriam Makeba's songs, you just have to read their lyrics carefully, paying attention not just to what they say, but how they are constructed.

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