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Lyrics by Los Prisioneros

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  1. Estrechez de Corazón
  2. El Baile de Los Que Sobran
  3. ¿Por Qué No Se Van?
  4. La Voz de Los 80's
  5. Paramar
  6. Tren Al Sur
  7. Corazones rojos
  8. Amiga Mia
  9. Pa Pa Pa
  10. Quieren Dinero
  11. Nunca Quedas Mal Con Nadie
  12. ¿Quién Mató a Marylin?
  13. Mi Casa en un arbol
  14. No Necesitamos Banderas
  15. Latino América Es Un Pueblo Al Sur de EE.UU.
  16. Sexo
  17. Con Suavidad
  18. Mi profesor se está volviendo loco
  19. Maldito Sudaca
  20. Muevan Las Industias
  21. Que No Destrocen Tu Vida
  22. ¿Por Qué Los Ricos?
  23. Noche En La Ciudad
  24. La Brigada de Negro
  25. La Noche
  26. We Are Southamerican Rockers
  27. Cuentame Una Historia Original
  28. Lo Estamos Pasando Muy Bien
  29. Canción del trabajo
  30. Ella Espera
  31. Ustedes dos
  32. Concepción
  33. Es Demasiado Triste
  34. Policias y ladrones
  35. Eres mi hogar
  36. Generación de Mierda
  37. Mentalidad Televisiva
  38. Algo Tan Moderno
  39. El verdadero sexo
  40. Elvis Fue Un Vampiro
  41. Eve-Evelyn
  42. Por Amarte
  43. Por Favor
  44. Te amo
  45. Cuando Te Vayas
  46. Independencia Cultural
  47. Jugar a La Guerra
  48. Los templos
  49. Otro Día
  50. Una Mujer Que No Llame La Atención
  51. ¿Quién Le Tiene Miedo a Las Máquinas?
  52. De La Cultura de La Basura
  53. El Es Mi Ídolo
  54. El Vals
  55. En el cementerio
  56. En forma de pez
  57. En la Cripta
  58. Es la lluvia que cae
  59. Esas mañanas
  60. Europa
  61. Fotos y Autógrafos
  62. Invitado de Honor
  63. King-kong, el mono
  64. La gran oportunidad
  65. Las Sierras Electricas
  66. Mal de Parkinson
  67. Manzana
  68. Mr. Right
  69. Que llueva, que llueva
  70. San Miguel
  71. Somos Solo Ruido
  72. Ultraderecha
  73. Usted Y Su Ambición
  74. Viento dile a la lluvia
  75. Aceite Humano
  76. Algo Ilegal
  77. Argentina
  78. Azota
  79. Déjate Caer
  80. El Cobarde
  81. El Muro
  82. El otro extranjero
  83. Estar Solo
  84. Exijo Ser Un Héroe
  85. Fiesta Nuclear
  86. Limpieza racial
  87. Lo Estamos Pasando Muy Mal
  88. Mami
  89. Mister Right
  90. Pastillas
  91. Poder Elegir
  92. Rock on the rocks
  93. Sin Disfraz
  94. Violencia
  95. Voy a trabajar
  96. Para Eso Esta La Publicidad
  97. Simpatía Por El Terrorismo
  98. Acomodado En El Rock And Roll

Los Prisioneros ("The Prisoners") was a Chilean rock band formed in San Miguel, Santiago, in 1982. Considered one of the most influential Latin-American bands of all time, they've been evaluated as pioneers of Rock en español (Rock in Spanish) by Latin American media and musicians, and one of the strongest socio-political impactful bands in Chile. The group would develop a new wave sound that would have its roots in British punk rock, in particular The Clash, and would incorporate rockabilly, reggae and ska influences, and later synthpop, and would make themselves known for their controversial, witty and subversive lyricism that criticized the socio-economic structures, education and societal attitudes of dictatorship-era Chile and Latin America as a whole. This would cause their music to be banned by the Chilean mainstream media between 1985 and 1990, but their music would continue to spread there, aided by word of mouth and shared homemade cassette tapes. The band initially met in high school, studying at San Miguel's Liceo 6, and form as "Los Vinchukas" (a play on The Beatles, one of their biggest influences), with Miguel Tapia on drums, Claudio Narea on guitar and Jorge González serving as their lead vocalist, bassist, main songwriter and de-facto leader. After changing their name to Los Prisioneros, they would record their first album, La voz de los '80, and release it on the independent record label Fusión Producciones, and would initially struggle to achieve mainstream popularity before signing to EMI Records in 1985, re-releasing their first album on vinyl records and cassettes. Throughout the 1980s, the band saw a increased popularity in Latin America, in particular, their native Chile and Peru. Starting with the release of 1986's Pateando piedras and 1987's La cultura de la basura, González would begin to experiment with synth pop, influenced by the growing popularity of Depeche Mode Tensions between González and Narea escalated during the production of their 1990 album Corazones, when Narea would learn of an affair between González and his wife, and would leave the band, being replaced by Cecilia Aguayo on keyboards, and Robert Rodríguez on bass. The quartet remained active for two years before disbanding in 1992. Following the release of the compilation album Antologia, su historia y sus exitos, Los Prisioneros would reunite in 2001, and would play two reunion shows in Santiago's Estadio Nacional to a total of almost 150,000 people, the largest Chilean concert at the time. They would record a self-titled reunion album in 2003, and Narea left the band shortly after due to heightened tensions with the band, with Los Tres frontman Alvaro Henríquez joining the band, recording the covers album Los Prisioneros En Las Raras Tocatas Nuevas De la Rock & Pop. Shortly after, Sergio "Coty" Badilla and Gonzalo Yáñez would join the band, and would form part of the lineup that would record their sixth and final studio album; Manzana and would go on tour in Canada, the United States, Mexico, Ecuador, Peru, Bolivia, Colombia, and Chile. On February 18, 2006, in Caracas, Venezuela the band would perform their last concert. Musically, Los Prisioneros marked the beginning of a new musical era in Chile, leaving behind the 1960s folk-inspired music of Víctor Jara and Violeta Parra, and starting the new era of Nuevo Pop Chileno (New Chilean Pop)., setting the stage for many other Chilean bands, such as Aparato Raro, Cinema, Upa!, Valija Diplomática, Aterrizaje Forzoso, Electrodomésticos, Banda 69, Fulano, among others. Songs like "La Voz de los '80", "Muevan las Industrias", and "Tren al Sur" are among the most famous, important, and musically influential songs of Latin America, and the song "El baile de los que sobran" became an anthem for the 2019-2022 Chilean protests. In 2023, Rolling Stone would name Corazones among the 50 best Latin-American albums of all time.

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  • Los Prisioneros - Wikipedia
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