Lyrics by Ilê Aiyê

  1. Ilê Se Eu Não Gostasse de Você
  2. Fontes de Desejos
  3. Mãe das Águas
  4. Negras Perfumadas
  5. Adeus Bye Bye
  6. Alienação
  7. Badauê
  8. Bom Batuque Ilê Aiyê
  9. Caminho
  10. Canto de Evolução
  11. Décima - Quinta Sinfonia
  12. Depois Que O Ilê Passar
  13. Diferentes, Mas Iguais
  14. Esperança de um Povo
  15. Havemos de Voltar
  16. Negra Fissura
  17. A Bola da Vez
  18. A Dança do Boi
  19. A Força do Ilê
  20. Afirmação Ao Poder
  21. Aos Dezenove Remos
  22. Axé Em Olorum
  23. Beck Black Do Tambor
  24. Canto da Cor
  25. Canto de Fé
  26. Canto Sideral
  27. Cenário Negro Na Simpatia Do Ilê
  28. Cerca de Bakel
  29. Cetro de Mãe África
  30. Chão Sagrado
  31. Charles Ilê (part. Carlinhos Brown)
  32. Civilização Do Congo
  33. Cordão Umbilical
  34. Corpo Excitado
  35. Crença e Fé e Ei, moça (part. Beto Jamaica)
  36. Deusa do Ébano
  37. Deusa do Ébano 2
  38. Deusa do Ébano I
  39. Deusa do Ébano II
  40. Ei Moça
  41. Envolvente História
  42. Estação Azeviche
  43. Esteticamente Nobre
  44. Evolução da Raça
  45. Exclusão
  46. Força Afro Brasileira
  47. Herança e Crença
  48. Heranças Bantos
  49. Ilê Aiyê Nos Cinco Continentes
  50. Ilê De Luz
  51. Ilê Guiné
  52. Ilê Impar
  53. Ilê Original (divindade Negra)
  54. Ilê Para Somar
  55. Instrumento da Raça
  56. J. América Brasil
  57. J.américa Brasil
  58. Ketu Angola
  59. Laço Fraterno
  60. Levante de Sabres Africanos
  61. Mãe Natureza (tens um brilho latente)
  62. Mãe Preta
  63. Me Leve Amor
  64. Meu Jeito de Ser
  65. Minha Caminhada
  66. Minha Origem
  67. Negra Tentação
  68. Negrice Cristal (viva O Rei)
  69. Negro Alegre
  70. Negro de Luz
  71. Negrume da Noite
  72. Nessa Rota
  73. Nigrice Cristal
  74. No Tempo do Pelourinho
  75. O Mais Belo Dos Belos
  76. O Movimento
  77. Pai e Filho
  78. Pai e Filho (correção)
  79. Poeira
  80. Poesia Moçambicana
  81. População Magoada
  82. Que Bloco é Esse (part. Criolo)
  83. Realeza Dos Negros
  84. Referência Quilombolas
  85. Resistência Viva
  86. Romance do Ilê
  87. Rum Alufás
  88. Separatismo Não
  89. Sonho dos Palmares
  90. Swing do Ilê
  91. Um Canto de Evolução
  92. Vozes Da Floresta Macua
  93. Xodó
  94. Deusa do Ébano I e II

Ilê Aiyê is a carnival block from Salvador, Bahia, Brazil. It is located in the Curuzu/Liberdade neighborhood, the largest afro-descendent population area of Salvador. The name stems from the Yoruba language: Ilé - home; Ayé - life; which can be loosely translated as 'earth'. It was founded in 1974 by Antônio Carlos “Vovô” and Apolônio de Jesus, making it the oldest Afro-Brazilian block. Ilê Aiyê works to raise the consciousness of the Bahian black community. Persecuted by the police and the media during its first years, and still controversial for only allowing blacks to parade with the group, Ilê Aiyê is a renowned element of Bahia’s carnival. The group pioneered the type of carnival group known as the bloco afro, featuring themes from global black cultures and history, and celebrating the aesthetic beauty of black people. All other Afro-Brazilian blocos borrow elements originally created by Ilê Aiyê, including such groups founded shortly afterwards, such as Olodum and Malê Debalê. During Bahian carnival, the group includes hundreds of musicians, dozens of dancers, and thousands of members. They traditionally begin their procession on the Saturday night of Carnaval at the home of the Dos Santos family, where for many years Mãe Hilda de Jitolu, the mother of co-founder Vovô, presided as spiritual mother to the group and formal leader of a candomblé. As Ilê Aiyê passes, carnival crowds sing along by the thousands to songs about the importance of African and Afro-Brazilian culture and religion. Ilê Aiyê was responsible for a huge cultural revolution in Brazil. It is often mentioned that in Salvador, before the founding of Ilê Aiyê, black men and women would never wear colorful dresses, would often not enter through the front door, would not wear afro hairstyles, and black women would not use lipstick – all because of long-standing racist stigmatization. This situation has been thoroughly changed for many Afro-Brazilians thanks to the empowerment processes that Ilê Aiyê implemented through music and through the praise of African culture and history.

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