Lyrics by Duke Ellington

Find here the lyrics to your favorite songs by Duke Ellington.

  1. Take The "A"Train
  2. In A Sentimental Mood
  3. Bli-blip
  4. It Don't Mean A Thing (if It Ain't Got That Swing)
  5. Satin Doll
  6. All Too Soon
  7. Azure
  8. Caravan
  9. Cocktails For Two
  10. Day Dream
  11. Do Nothin' Till You Hear From Me
  12. Don't Get Around Much Anymore
  13. Don't You Know I Care
  14. Drop Me Off In Harlem
  15. Echoes Of Harlem
  16. Everything But You
  17. Great Times
  18. I Ain't Got Nothin' But The Blues
  19. I Didn't Know About You
  20. I Got It Bad (and That Ain't Good)
  21. I Let A Song Go Out Of My Heart
  22. I'm Beginning To See The Light
  23. I'm Just A Lucky So And So
  24. I've Got To Be A Rug Cutter
  25. In A Mellow Tone
  26. Jingle Bells
  27. Jump For Joy
  28. Just A-sittin' And A-rockin'
  29. Just Squeeze Me (but Don't Tease Me)
  30. Lost In Meditation
  31. Love You Madly
  32. Lush Life
  33. Mood Indigo
  34. My Little Brown Book
  35. Perdido
  36. Prelude To A Kiss
  37. Rocks In My Bed
  38. Santa Claus Is Coming To Town
  39. Solitude
  40. Sophisticated Lady
  41. Three Little Words

Edward Kennedy "Duke" Ellington (April 29, 1899 – May 24, 1974) was an American jazz pianist, composer, and leader of his eponymous jazz orchestra from 1923 through the rest of his life. Born and raised in Washington, D.C., Ellington was based in New York City from the mid-1920s and gained a national profile through his orchestra's appearances at the Cotton Club in Harlem. A master at writing miniatures for the three-minute 78 rpm recording format, Ellington wrote or collaborated on more than one thousand compositions; his extensive body of work is the largest recorded personal jazz legacy, and many of his pieces have become standards. He also recorded songs written by his bandsmen, such as Juan Tizol's "Caravan", which brought a Spanish tinge to big band jazz. At the end of the 1930s, Ellington began a nearly thirty-year collaboration with composer-arranger-pianist Billy Strayhorn, whom he called his writing and arranging companion. With Strayhorn, he composed multiple extended compositions, or suites, as well as many short pieces. For a few years at the beginning of Strayhorn's involvement, Ellington's orchestra featured bassist Jimmy Blanton and tenor saxophonist Ben Webster and reached a creative peak. Some years later following a low-profile period, an appearance by Ellington and his orchestra at the Newport Jazz Festival in July 1956 led to a major revival and regular world tours. Ellington recorded for most American record companies of his era, performed in and scored several films, and composed a handful of stage musicals. Although a pivotal figure in the history of jazz, in the opinion of Gunther Schuller and Barry Kernfeld, "the most significant composer of the genre", Ellington himself embraced the phrase "beyond category", considering it a liberating principle, and referring to his music as part of the more general category of American Music. Ellington was known for his inventive use of the orchestra, or big band, as well as for his eloquence and charisma. He was awarded a posthumous Pulitzer Prize Special Award for music in 1999.

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